Rob Aguilar takes photos of all DNA barcoding reference specimens they collect in the Chesapeake Bay
Rob Aguilar of SERC’s Fish and Invertebrate Ecology Lab co-authored a DNA barcoding paper this past September in the journal Environmental Biology of Fishes. Rob spoke with us about his paper and the DNA barcoding work going on in the Fish and Invertebrate Lab. While the term DNA barcoding may seem difficult to understand, it’s easiest to think about it as a uniquely identifiable species level code.
Click the sound file below to listen to the interview.
Additional barcoding details are available in the full podcast transcript.
Erica Staaterman selfie with a baby larval snapper. (Erica Staaterman)
by Kristen Minogue
Dr. Erica Staaterman listens to the ocean for a living. Often seen as a silent landscape broken only by whale or dolphin songs, Staaterman is helping uncover a wealth of noise from the ocean’s hidden creatures, first in California and now in the Chesapeake as a postdoc for the Smithsonian Environmental Research Center. Learn more in the edited Q&A below, and click the sound files to hear some of the secret sounds of the sea.
How did you get into acoustic ecology?
My first research job out of my undergrad was working for Sheila Patek at UC Berkeley….She had a bunch of recordings of these [California spiny] lobsters making sound, and nobody really understood why they make sound. So we did an experiment where we tried to understand the function of the sounds made by these lobsters. So anyway, that was sort of my first foray into acoustics, and from there I just thought it was really fascinating.
In California, you described researching a chorus of mantis shrimp. What did that sound like?
We called them rumble groups. Sometimes they would have two rumbles per group, sometimes three rumbles per group, sometimes four or five….At dawn and dusk you would hear so many different rumble groups occurring at the same time that they would all be sort of overlapping, and it seems to indicate that there are many individuals making sound at the same time, just the way birds all sing out at once in air.
In our last installment of The Dark Side of Taxonomy, we’ve saved one of the most fear inducing scientific names for last. We wouldn’t have done due diligence this Halloween season if we didn’t mention him. In this piece we present a small collection of organisms that in some instances have suffered the same etymological fate – a scientists with a proclivity for dark humor. Here we spotlight organisms that carry the infamous name of an angel who fell from grace.
Delving deeper into the dark side of taxonomy, we forge forth into the ether to uncover obscure and wickedly inspired scientific names. What’s in a scientific name? As described in The Dark Side of Taxonomy: Part One, some scientific names for organisms have dark and twisted origins. In part two of this three-part series, we peek behind the thin gauze-like veil, fearlessly sifting through time and lore to deliver a new collection of gruesome scientific names. Here we share ancient tales of Greek mythology, an Italian literary genius from the Middle Ages and the unforgiving Underworld.
In the spirit of the Halloween season, we’ve decided to showcase some of the more darkly inspired scientific names. But first, what exactly is a scientific name, and how did it come to be? In the 18th century, Carl Linnaeus developed a hierarchical naming system known as Linnaean classification for categorization of organisms. As part of his classification system, Linnaeus introduced binomial nomenclature, a formal system for giving organisms a two-part scientific name. The first part of the name is a word that identifies the genus to which a species belongs. The second part of the name is a word that identifies a species within a genus. Scientific names are often in Latin, Greek or some other ancient or classical language, and may reflect some special aspect or feature of that organism. For example, an organism with stripes, bars or a mottled appearance may have a species name of variegatus, Latin for variegated.
However, some scientific names have Latin and Greek words that are less innocuous. Some words conjure up images of terror and the occult. When whispered, the names seem to slither like a snake over the tongue – sending chills down spines and making hairs on the back of the neck rise like ghosts from a grave. This week we delve into science’s darker and more twisted scientific names.
Ten years ago, on August 28, 2005, Hurricane Katrina nicked south Florida and entered the heat-charged waters of the Gulf of Mexico, transforming from a Category 1 hurricane into a super-charged Category 5. In the early morning hours of August 29, it ripped through Louisiana and Mississippi. Thousands died, and hundreds of thousands of homes and businesses were destroyed. Today, much of the Louisiana and Mississippi coasts, and its people, are still recovering from the devastation.
Lisa Koetke prepares a motion-activated camera. (Courtesy of Lisa Koetke)
by Chris Patrick
Imagine a swimming creature. It holds an antlered head above the water as its skinny, hooved legs tread underneath. A black stripe runs from its head to its tail, outlining a waggling white rump, revealing it to be a sika deer.
In 1916, a man named Clemment Henry released between four and six sika (the number isn’t certain) for hunting on James Island, off Maryland’s Eastern Shore. But it turns out sika are great swimmers—by 1962 they migrated to the Delmarva Peninsula and they now occupy every county of the lower Eastern Shore. Click to continue »
The newest climate change research tool may be in your pantry
Lisa Schile in a marsh in San Francisco. (Courtesy of Lisa Schile)
by Chris Patrick
Tea bags are no longer merely a means of brewing an aromatic beverage. They’ve now found purchase in environmental research, providing a more efficient way to measure how fast things decay—and how well wetlands store carbon.
Last year, Pantone chose Radiant Orchid as their 2014 color of the year. Pantone is the authority on color. Their color choice affects a variety of industries from fashion and make-up to home interiors (e.g. paint, upholstery, etc.). Once again orchids have sashayed their way into our everyday lives and in very big ways. Journey with us as we explore just a few fabulously fierce fashion pop-cultural orchid moments.
Christian Dior’s to Die for Couture:Paris Haute Couture Autumn/Winter
Belgian designer Raf Simons joined fashion power house Christian Dior in 2012. Just two years later at the 2014 Paris Haute Couture fashion show, he wowed the audience with walls dripping with 150,000 live orchids and an equally jaw-dropping runway collection of embroidered blooms and floral-inspired silhouettes. The Fashion Channel said the show felt “divine and ethereal, with models resembling graceful nymphs walking elegantly in an antiseptic white circular Olympus with silver walls adorned with pristine white orchids.” C’est bon! We don’t think we could have said it any better!
Watch: 2014 Christian Dior Paris Haute Couture Show
Jack White performing on Orange Stage in Denmark (Bill Ebbessen)
Research shows that music affects our brains and our bodies. It can make us laugh, cry, give us chills, empathize and remember events or single seemingly fleeting moments that we’ve long forgotten. When it hits the right cords, music can increase heart rate, dilate pupils, increase body temperature and release the neurotransmitter dopamine, a chemical which plays an important role in our brains, particularly the reward centers of the brain. The same has been said about orchids, the hunt for orchids and in Victorian era, the eroticism surrounding orchids.
Since the 1960s, there have been several musical groups, albums and songs with orchid-centric names or themes. Journey with us as we explore how orchids have conquered music pop-culture.